creative writing
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Most of my writing deals with topics of mental health, socio-cultural issues, and navigating complex emotions.
Read Moon & Stars, my historial short fiction piece based on two best friends separated by the 1947 Partition. Grazie Mama is a three-part creative writing piece inspired by the group of orcas sinking boats off the coast of Gibraltar.
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I enjoy learning about traditional poetic form, yet breaking away from it in a way that is authentic to my voice.
Read my crown of sonnets ('the crown') and villanelle ('the art of origami') based on processing heartbreak, loss, and toxic relationships. My ekphrastic poetry ('inside out' and 'immortalité') often deals with navigating complex emotions by creatively rethinking art or media pieces.
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I strongly believe in the need to make accurate, scientific writing more accessible to the public.
'Sleepless' is a piece dedicated to shining a light on the scientists behind the research we so frequently interact with. 'Intake Notes' is a commentary on modern day healthcare, and blends science with creative writing to better engage the reader. Both pieces attempt to employ creative narratives to factual processes.
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My multicultural upbringing has contributed to my work often stemming from the socio-cultural issues I've grown up witnessing.
Read my creative writing Moon & Stars (based on the 1947 Partition), चलेगा (the Hindi slang term that roughly translates to "it's fine"), or om shanti shanti ShAnTI(a criticism of sati, the ancient Indian practice of burning women on the pyre).
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I enjoy analyzing classic literary works as well as multimedia pieces.
Read my reflection on Intertextuality in Satrapi's Künstlerroman, Persepolis, and my extended analysis of Antagonism in Wuthering Heights.
moon & stars
Tara darted skilfully through the dingy alleyways of Dera Gazi Khan, subconsciously scrunching her nose in preparation of the pungent sewage smell. An involuntarily smile flickered across her lips at arriving in her favorite spot in the city - one that she could safely say was too “uncivilized” for the British Raj to dare venturing past. Strategically located smack in the centre of a complex labyrinth of slums, the black market burst with color.
The cacophony of the street dissolved into a mosaic of vibrant hues. Everywhere she looked was a new wonder - gleaming trinkets, radiant saree textiles, and unending lines of the few Indian spices the British couldn’t get their hands on. She scoffed at the thought of how they stole almost all her country’s spices but still made food so impressively bland. She shuddered to think what would happen if this place was discovered - it broke almost a million rules by trading items entirely banned by them. But that was precisely why she loved visiting Chor Bazaar. Tara knew nothing about the true essence of her country except the pieces that survived through the cracks, and Chor Bazaar was a crack to say the least.
Chand leaned impatiently against the stall that sold copper idols, trying to ignore the gnawing anxiety that bloomed within him every time his best friend was late. He hated the thought of not seeing her but he hated the thought of what her father would do to her for being associated with a Muslim boy much, much more. God knows she endured enough from that asshole as it is - he desperately hated seeing Tara's bruises and hearing her unconvincing excuses of how she got them. The unspoken violence she faced was a haunting specter between them, one that Chand felt utterly powerless to eliminate. His worry immediately dissipated into a feeling of warmth as his gaze landed on the unmistakable unruly braids that cascaded down Tara’s shoulders and the familiar sight of her emerald green lehenga choli. A fleeting smile graced his expression as he watched her chocolate eyes light up in wonder as she fluttered through the narrow lanes of shops. Even though they had been best friends for as long as he could remember, he felt vaguely honored that her large eyes always lit up at the sight of him.
Tara bounced across the street and found her way to Chand in moments, peering up into his greyish green eyes with an electrifying smile. He rolled his eyes and lightly poked her silver bindi knowing perfectly well that it would annoy her.
“You’re late.”
She scrunched her eyebrows in mock anger and attempted straightening the beacon on her forehead, only to make it worse. Dramatically waving a bag of lentils in the air as if an obvious explanation, she rolled her eyes back at him.
“I had to get moong for mama to make dal tonight. And so I have a believable excuse of why I left.” Dal safely secured in one hand and the bottom of Chand’s kurta sleeve in the other, she began dragging him down the street to her desired destination. “Now can we quit moping and please go. Cinderella’s on the clock.” She felt proud of her ability to pronounce the name of an English character that the white people loved to talk about while she was still in school.
She weaved her way deftly past the bustling crowd, Chand following closely behind her as she animatedly told him the story of how her little sister threw up on her the previous night, their laughter blending in with the harmonious chaos of the market. She felt free here. Free from watchful eyes and brainless obligations. Free from pain, even if momentarily.
She stopped abruptly at the board filled with bold untidy handwriting. She didn’t know how to read it, but knew it said Ramu Uncle’s. They would hate to see this, she knew, because she knew they couldn’t comprehend the idea that, in their culture, all elders were simply uncle and aunty, blood or not. Perhaps they simply couldn’t comprehend the idea of respect.
At the sight of Chand and Tara, whom Ramu Uncle had known for over a decade, he immediately flashed them his yellow crooked smile, featuring his missing incisor, and offered them the laddus his wife made the previous night. They greeted him with equal enthusiasm, Chand munching thoughtfully on the spherical dessert while Tara respectfully declined. She wasn’t here for laddu.
Delight danced across her face as she admired Uncle’s accessory-strewn table stall, radiant with glimmering gems. This is what she was here for. She had been saving the money her grandmother bestowed her with two weeks ago when she turned sixteen for this very occasion. She couldn’t wait to own pretty jewelry like the proper white women did.
Ramu Uncle dug through the lone creaky drawer of his table and presented her with what she had been waiting for all along. “Like I promised. I know you couldn’t choose between the black and the purple last time so I set them both aside for you, beta.”
Her fingers grazed gently over the intricate designs of the golden, slightly rusted but exquisite bracelets, one adorned with a purple gem and a star pendant, the other with a black gem and a crescent moon. She didn’t know how she would decide between the two.
“Thank you so much uncle!” She beamed, “How much is it?”
Chand watched her, without a word, gently pulling the bag of lentils from her so she could focus on the task at hand. Flashing him a smile in silent thanks, she fished through her meager pocket purse that barely strung together by its drawstrings, brandishing her silver coins.
“10 Rupees.” Chand observed the excitement in her eyes quickly dampened by the weight of responsibility—the need to prioritize the negligible earnings for her family's sustenance. He knew she would never admit that she wanted to save the money for her family instead, and she would never ask Ramu Uncle for a reduced price even though he would unquestionably give her one. Determined to not show her disappointment, he watched her feign confusion. “I’m so sorry uncle but I still can’t choose which one I like better. I promise I’ll decide by next time, but I understand if you have to sell them now.”
“It belongs to you, beta. I’ll have it waiting.” Ramu Uncle shook his head with a slight smile, gently placing the bracelets back in their shelf, unconcerned that he was missing out on a profit despite his crippling debt. “Before you both leave - don’t come back for the next few days. I heard there are fights breaking out on the streets and all sorts of violence.” He looked seriously between them both. “I know you are inseparable, but it is dangerous for you to be seen together.”
They nodded silently and greeted him goodbye, the weight of his words heavy on their shoulders, the meaning behind them undeniable. It is dangerous for a Muslim boy and a Hindu girl to be seen together. Lost in a trail of mangled thoughts, Tara barely nodded in acknowledgement when Chand told her he would be right back, unable to stop thinking about how unfair the situation was.
When Chand returned, a mere three minutes later, he was unsurprised to find Tara kneeling on the littered curbside, making small talk with an unamused cat. He hid his smile as he overheard the last remnants of their one-sided conversation, “It’s just so unfair! It’s like if a random cat came up to you and told you that you can’t hang out with a brown cat because you’re a brown cat with orange patches.” Brows scrunched, she involuntarily stroked the cat’s ears, eliciting a satisfied purr. “You’re right Mr. Cat Sir, it doesn’t make any sense.”
Chand glanced down at his father’s old watch and saw the time - 6:42PM. He tapped her shoulder hurriedly, “I hate to break up this compelling conversation but you have to be home in 18 minutes.” She snuggled the cat, who seemed to have warmed up to her after all, murmuring a soft goodbye and a promise to bring him food. He usually enjoyed watching his best friend talk to inanimate objects and animals, but not when she was late. It was his turn to drag her out of the marketplace, frantic to make sure she gets back in time and avoids trouble. “Breathe, Chand. You forget how speedy I am,” she said with a cheeky grin. If she was worried, she didn’t show it.
Scurrying through the shadowy paths filled with shouting vendors, they made their way back out to the entrance, leaving behind the spirited Chor Bazaar. They arrived at the stream that ran between their houses, a narrow but palpable border that separated the two.
As always, they approached the hidden treeline to part ways, the perfect blind spot that was invisible from both their houses. Tara pulled back the sleeve of his kurta slightly to peep into his watch, sighing with relief at the fact that they had three minutes to spare. The grin returned. “Told you. Speedy.” With the unspoken agreement that they would see each other here the next day at first light, she turned around to walk back to her house when Chand tugged lightly on one of her purse’s drawstrings, unable, for some reason, to find his words.
As soon as she turned to face him, her eyes widened as they caught sight of the tokens of celestial beauty glinting in his outstretched hand. Tara's initial awe was eclipsed by a wave of panic, knowing well the toil he endured in his family's fields to make ends meet. “Chand, it was ten rupees! Why on earth would you waste that on me?!”
Anger surged within him at the fact that she considered herself an unworthy cause. “You could just say thank you, you know,” he snapped, words laden with evident frustration as he pulled back his offering. “And I’m not wasting it, I’m spending it on what I want.”
A flush of remorse painted Tara’s features and she swiftly recovered. “I’m sorry, I didn’t mean in that way, I swear.” He nodded in silence, not quite able to meet her eyes. Warmth flooded within him as she launched him into a tight embrace. “Thank you, Chand. I love it.”
In an unspoken understanding, she gently clasped the black moon bracelet around her wrist, and fastened the purple star onto Chand’s. “This way you can’t get rid of me even if you tried.” A flickering smile graced his face as she turned and ventured to her side of the glistening border, painted gold against the sunset’s last hues.
***
Six hours later, at midnight on August 15th 1947, Tara awoke with her bracelet digging ever so slightly into her wrist. But she didn’t notice it over the the echoes of a tumultuous dawn that shattered her slumber—a sinister symphony of gunfire and urgent shouts slicing through the air.
Panic surged through her veins as her family scrambled to gather their meager possessions - vessels clinking, jewelry hastily tucked away, clothes bundled in a frenzy. Outside, her once harmonious neighborhood descended into a waking nightmare, once childhood friends turning cricket bats into instruments of brutality. Instinct screamed for her to find Chand, to ensure his safety amidst the chaos, yet she knew his family would have sought refuge at his uncle’s - a fleeting comfort in the midst of the nightmare. Tara clutched her baby sister, her dupatta burdened with the weight of their scant belongings, and ran with every ounce of energy in her, her parents following closely. She desperately tried not to scream at the sight of Seema Aunty’s lifeless corpse outside her house.
The frenzied evacuation rendered the trains a writhing mass of desperation—all the Hindus vying for an escape to “new India.” Perched atop a teeming train, Tara watched the perfunctory street lights casting an eerie glow over the ghastly remnants of her fractured home. She shuddered, the celebratory shouts for independence ringing hollow when confronted with the carnage unfolding in front of her eyes.
Fiddling with her lunar bracelet was the only thing that kept her conscious. Staring up at the night sky, she looked at the Chand and Tara - so intimately intertwined and seemingly close, but so inextricably distant, condemned to eternal estrangement. The train chugged forward into the unknown as she muttered a silent prayer to the moon and stars.
grazie mamma
<a three-part creative writing piece inspired by the real group of orcas sinking boats off the coast of Gibraltar. part i) is a flash fiction short, ii) is in the form of a blog post showing how environmental narratives are often unfairly spun, and iii) is the same piece written in the traditional poetry form of a sestina>
𓇼
With undulating strokes, White Gladis cut through the cool, dark waters of the Strait of Gibraltar. Her fusiform body was sleek with purpose, the weight of her gestation and the presence of her two inquisitive calves only a reminder of her unwavering motivation. Her sisters flanked her, deadly ballerinas darting through the waves with equal grace and grit.
Despite the determination she felt on every mission, she knew the memories would come flooding when she saw the boat. Every vivid detail still haunted her—the suffocating grip of the trawl tearing at her fin, the sea of harpoons, the prison of entanglement. But the blunt force trauma she still felt on her dorsal ridge had nothing on the excruciating memory of her calf’s terrified wails echoing through the chilly depths. Or the crushing heartache of knowing her baby was forever ensnared in the monstrous boat’s bycatch.
She couldn’t save her little one, but she would stop at nothing to protect the rest of her family. She didn’t care what the boats were here for, but she wouldn’t let them escape unscathed—they had taken too much. Too much of her own dwindling kin, now on the Red List. Too much of their bluefin tuna, their key prey species now a rare sight outside of longlines. But no more.
Her eyes zeroed in on the target, although her pod heard its unbearable, guttural sonar churning from miles away. Gladis sent an urgent click train her family’s way as the boat approached, their speedy reciprocated whistles signaling that her sisters were ready for a stealthy rebellion. She echolocated a final warning to her whining calves who eagerly hoped to follow their mother into battle, but obediently kept their distance. The Three Sisters struck, brandishing their teeth against the rudder’s hard metal, each ramming blow a defiant roar against the heartless machine that took too much. Only when the Grazie Mamma tore at the seams and sunk to the ocean floor did Gladis return to her children.
𓆝
BREAKING NEWS: Killer Whales Nothing Short of Killers
Orcas across the Strait of Gibraltar are effectively turning the beautiful, once flourishing tourist hub, into their own Bermuda Triangle. Endless tourists and recreational sailors have lost the opportunity to pop open a can of beer and enjoy a peaceful day in the water, understandably in fear of the fact that they too, like countless others, will have their boat sunk by the angry Iberian Orcas that inhabit these waters. Fisheries have begun losing millions of dollars because of their inability to take their boats out to sea. A particularly vengeful pod notable to marine biologists attempting to understand this issue comprises five females led by the 26 foot long whale they have named ‘White Gladis.’ These angry women have drowned more than 50 boats on their own, becoming the self-proclaimed Sea Monsters we tell our children about in bedtime stories. But to all the suffering tourists, do not lose hope: the Iberian Orcas are dwindling in numbers and we might still be able to reclaim control over these waters.
Sign Up to read more about The Killers on page 2 >>
𓆝 ⋆。𓆟
With undulating strokes, she cut through the waters.
White Gladis’ black & white fusiform body* was sleek with purpose,
Despite the presence of her two inquisitive calves
And the weight of another unborn.* Eyes on Grazie Mamma,*
Yet another monstrous boat
In her sea, unlocked the haunting memory.
It was excruciatingly vivid, the memory.
The trawl tearing at her fin, the sea of harpoons spanning endless waters,
The blunt force trauma from that cursed boat
That still burned her dorsal ridge. Yet nothing fueled her purpose
Compared to the horrors of her baby’s terrified wails for his mama
Echoing through the chilly depths, Bycatch* forever ensnared her calf.
Too much of their food taken*, too many taken calves.
Too many excruciating memories.
Too much of her kin killed, too many loving mama’s
Forced to Redden* in these very waters.
Protection her unwavering purpose,
She whispered a promise of revenge to the monstrous boats.
They heard it before they saw it, the boat’s
Guttural churning unbearable* to her young calves
Even miles away, her purpose
Only strengthened by their discomfort and the plaguing memory.
Her sisters flanked her, deadly ballerinas darting through the waters,
With equal grace and grit, prepared to avenge this hurting mama.
A trained fighter but first a mama,
Gladis’ urgent clicks to her sisters signaled the approaching boat,
Rapidly conveying impending rebellion through the waters,
And a final warning to keep distance to her eagerly whining calves
To ensure they never turned to distant memories.
Then The Three Sisters* struck with purpose.
The Three Sisters struck with fateful purpose,
Brandishing their teeth against the Grazie Mamma’s
Rudder, one ramming blow for every memory
That kept her up, for her dwindling family, for every boat
That took too much, for her child unborn, for her poor baby calf,
For all the heartless machine did to her waters.
Only when the Grazie Mamma tore at the seams, the boat’s
Fabric forever sunk to the chilly waters, did Gladis feel justice for her aching memory.
Daily purpose accomplished, she returned to her eagerly waiting calves.
____________
*1 A zoology term referring to a body tapering at both ends.
2 White Gladis is the supposed leader of a pod (including her two calves and sisters) that attacked boats in the Strait of Gibraltar. She was suspected to be pregnant when the attacks began and have had a traumatic incident with fishing lines.
3 One of the boats Gladis’ pod attacked.
4 Unintentional capture of marine species during fishing activities.
5 Bluefin tuna, among other crucial species that orcas feed on, has declined severely in population due to overfishing in the past few decades.
6 There are only about 35 Iberian Orcas left , placing them on the IUCN’s Red List (conservation threat).
7 Noise pollution from boats and fishing vessels has multiple negative health impacts for orcas and other marine species, often interfering with their communication and hunting abilities.
8 Reference to The Three Sisters or Fates from Greek mythology who were responsible for shaping destiny.*
𓇼 ̊𓆝 ⋆。𓆟 ⋆。𓆞 ̊ 𓇼
inside out
<sonnets on anxiety, the double-edged sword
inspired by ‘Inside Out 2’>
“Do not fight your negative emotions. Observe and befriend them.” — Haemin Sunim
(i)
I can’t leave the house without her
Screaming promises of looming
Destruction louder than life,
Muted pleas to those outside.
She is caffeine personified,
Haunting this palpitating body of mine,
Parting me from restful sleep and momentary peace,
Instead violently pulling teeth from me,
Turning golden memories to fever dreams,
Labeling loved ones with Caution!
Signs she deftly designs to keep me up at night.
Her crafty crimes and endless lies
Morph sunny days to dreary skies,
Hopeful hellos to somber goodbyes.
(ii)
She is caffeine personified,
An ice water slap in the face of
Bombs and bullets falsely planted
Through three lethal words and pretty lies.
With every jitter she hurls another
panic: where should i go how can i be better than yesterday how do i make this a good day it has to be good is his tone different does he hate me can i do anything about climate change can i ever really help make the world a better place i wonder if riley is doing okay
Concern that once broke me now
Morphing sensitivity into my superpower,
Driving this effervescent body of mine
From the covers I used to hide behind
Into a world I intend to make mine.
He struggles to read
The foreign word never before taught to him,
Unsuccessfully attempting to conceal
Those lush locks and rosy cheeks that bloomed
Quite unlike the wilting,
Now pungent laurel left forgotten
On the otherwise naked walls.
He unlocks glances with the pair that stared back,
Distracted by the dancing mirror
Gliding effortlessly across his path.
He catches another fleeting glimpse
Of those pure ocean eyes,
Finding himself, for the first time,
Amidst the chaos of this Earth.
But confusion quickly
Outruns fascination, as his beautiful reflection is shattered
Into emptiness.
His schoolbooks detailing
The deadly Crimean wars
Were left unresolved despite them
Frequenting his peripheral vision,
For no amount of creased pages could resurrect
The thousands of forgotten souls. So he instead embarked
To admire the planets that orbited him.
Spawning rotations,
He brings the soapy solution to his expectant mouth,
Accidentally brushing his plump lips
Against the bitter liquid. Pushing
Air forcefully from his lungs, he watches as
Life is poured unto so many others.
Rapidly learning to navigate their environment,
Like boats wafting through the seemingly lazy waters,
In secret hopes of being the first
To reach the uncharted destination.
But the conniving currents inevitably carry
The vessels closer and closer
To the unforgiving edge.
Disgruntled but not yet defeated
At the persistent passing,
He exhales once more,
Creating more life with a single blow,
Peering as the two airborne diamonds
Flow unfalteringly toward each other.
Expecting yet another fatal blow,
He freezes - only to find
The two stars colliding,
Fusing beautifully into the other,
Forging a force more powerful
Than they possibly could have alone.
His spirits were momentarily transported,
Lifted with the ascending souls,
Until the supernova unfolded,
Leaving in their place,
Nothing more than a black hole.
Thoroughly vanquished,
His hands drop to his lap, briefly grazing
The unwinding upholstery and fading patterns
On his once vibrant sofa. His school bound satchel seems to
Inch closer toward him,
A potential noose threatening
To claim another unsuspecting victim.
He is vaguely aware of one last soldier,
Trudging desperately across the battlefield
In the meagre hopes of survival.
Grasping his old magic wand,
Now wielded as a scythe,
He extends his arm
Veiled with his hooded black sleeves,
To extinguish the soul
And spare it the pain
Of a protracted demise
In the relentless trenches.
Today they call him the reaper,
Parents taking his name to compel
Children into their petty demands,
Painting him a monster
In those sordid festivals of the fall.
But is he not
The true protagonist?
im mortalite
<an imagined birth of the reaper,
inspired by Couture’s “Soap Bubbles,” 1859>
immortalité
the art of origami
A feather fold and a deftly design
Swiftly transform my undamaged body,
And look! How I am realigned
Into a gliding swan, who gracefully unwinds
Her snowy wings in the calm waters, when suddenly;
A feather fold and a deftly design
Propel a violent, spiralling divide
From my beloved family.
And look! How I am realigned
To flutter in search of the marigold’s divine
Petals that match my newly-forged wings dipped in honey.
A firmer fold and a deftly design
Once, twice, a thousand times.
Shapeshifting tirelessly, all so I could fulfill your every fantasy
But oh how I struggle to realign
My blank page without your crafty crimes.
You notice the unflattering scars I bore in your name, granting me
A final fold and a deftly design
and look how I am tossed aside
the crown
<a crown of sonnets for me, not him.
TW: explicit imagery and language>
“All is fair in love and war, but some battles leave no victor - only a trail of broken hearts that makes us wonder if the price we pay is ever worth the fight.” - Bridgerton
your troops are wilting away,
their weapon supply and faith rapidly
diminishing with every passing day.
my soldiers want nothing
more than to be home, for they are sick
of the trenches, and woefully desire an escape
from the impact zone.
but giving up would mean defeat,
and you and i were never ones
to surrender from the heat.
so we choose to stay here
and let ourselves rot
until the entire battlefield
seems to have lost
-the stalemate
———
the entire battlefield seems to have lost,
yet another crushing defeat,
despite those impenetrable barriers built
to protect her crumbling interiors.
but you saw her as a challenge,
a trinket to your kingdom’s glory,
a bolster to your army’s nobility.
you pushed until she opened
her regal gates, only to ignite the flames
that swallowed her city whole.
her resilient walls reduced to ashes,
you smiled as her beaming people
contorted to mangled corpses.
she thought you were her all
but you went & declared a war
-the surrender
———
you went and declared a war
yet your first decree?
a royal wedding and a feast,
you promised on repeat, you did it all for me.
in the name of love, you set the palace ablaze.
the magnificent light of the chandeliers
pouring into every corridor, placed me
further and further into the trance,
But Stop! sometimes I’d hear aching moans and pleas,
from the back of my mind, from the corners of the castle -
but stop! i’d smile and see
unending rows of my favorite rangolis,
you did promise the very best for me.
so i stayed loyal while you tortured or fucked
everything in this p(a)lace with a pulse.
-the (dest)royal wedding
———
everything in this p(a)lace with a pulse
was subject to your (blood)lust.
behind, inside, and outside closed doors,
your cold fingers choked so many necks
your gallant sword sliced so many hopes
our no’s, our aching moans, our let me go’s,
only aroused you so.
yet we clapped and we cheered
for our oh so fearless leader,
who protected us from the nightmares
we didn’t know he crafted.
you trained me to think
love was synonymous with
this tender death grip.
-the tyrant
———
this tender death grip pried open
every closed door that sought to remain so.
you explored every inch
of my unwilling kingdom,
promising civilization for my sake.
in this day and age, you said,
it must be done.
so you forced into me
all your fucked up ideology.
you so proudly bore
the title of being the first
to discover uncharted waters.
But I have lived here forever,
These waters are mine alone.
-colonization
———
These waters are mine alone,
For I respect their every shore,
And am eternally proud
To call them home.
These waters are mine alone,
Yet my seas are starting to redden,
Every tributary doused in blood
Shedding swiftly from the scars
You carved into me.
These waters are mine alone,
And at last I awoke.
Every alliance and all my forces I will need
For this stealthy victory,
But this crown is mine to take.
-rebellion
———
This crown was mine to make,
This coronation mine to celebrate,
In honor of every storm
I endured for your sake,
Every battle scar
I bore in your name.
I thought each scar an irreversible crack
To my being, yet through the ruins rose
An unparalleled warrior.
Now I bear these runes with pride,
For victory, albeit unfathomable, was mine.
Now there is more peace
Than I dreamed there could be,
For from the ashes grew
A kingdom anew,
More powerful than you ever knew.
Storms may still visit my shores,
But this foundation stands unshakeable,
Your bullets and bullshit morphed
To butterflies and bloom,
To love and light pouring ardently
Into every inch of my remarkable kingdom.
Tears of relief cried
As broken families reunite,
Rescued innocents surface from the ashes,
Crumbling interiors restored
To former glory; revived.
Now he stands by my side,
My love for life, synonymous with
this soft tender grip that
Soothes the head where
Much more than the crown lies.
This era of love, this era of peace,
I can promise will stay,
Yet I can’t help but laugh knowing
Your troops will forever wilt away.
-till kingdom come
om shanti, shanti, ShAnTI
<on sati, the ancient Indian practice of burning women on the pyre upon the death of their husband.
Om Shanti, Shanti, Shanti is the traditional Hindu chant or prayer for peace.
TW: Sexual violence, explicit imagery and language>
ॐ शािन्त, शािन्त, शािन्त
(om shanti, shanti, ShAnTI)
questions i have for
the women whose blood runs
through my veins.
questions i may never find
the answers to ->>>
————
i don’t know where to begin and where to end.
did you know when it began? was torture written in your destiny the moment you were born into
our village with a vagina instead of the better alternative? or was it gradual, a slippery slope that
pulled you in despite all your futile attempts at escape? i wonder if you were fourteen or sixteen
when they forced you to marry the yellow-toothed man twice your age. i wonder if you were fifteen
or seventeen when he fucked you senseless and forced a child out the body of another child.
did you know when it ended? was it the moment you realized your life was inextricably tied to his,
not in the romantic ways you had once dreamed of, but in ways far worse than your most dreaded
nightmares? or was it gradual, as you watched his spine grow crooked and his hairs turn gray? i
wonder if you were twenty six or twenty eight when you saw his rotting body engulfed by the
hungry flames. i wonder if you were twenty six or twenty eight when they drugged you and tied you
and beat you and shoved you and burned you alive on the pyre with him. was it instant? or did you
feel agony spreading through every inch of your roasting flesh for what felt like forever? were your
last thoughts a whispering promise at revenge, or a meaningless prayer for your daughter to find a
better fate?
Om Shanti, Shanti, Shanti. As the sun rises over our country, they chant for peace amidst our
crowded temples and bustling streets. Om Shanti, Shanti, Shanti. As the sun sets, they pride over the
perfect facade of peace, the truth slinking deftly through the shadows of our polluted cities. They
call it peace because it was the perfect crime. No body, no blood. Only the ashes they submerged to
the bottom of that murky ass lake.
but that’s the thing about ashes. they cannot be truly contained. they fall through the cracks,
mingling animatedly with the air, boundless. on the quiet mornings we chant for peace, i see you in
mumbai’s dusty skies. i hear your screams. i feel you in the blood that runs through my veins. my
biggest question, i suppose is this: do you know peace?
i hope you do. i really do.
om shanti, shanti, shanti.
-tanisha
<on चलेगा (pronounced chalega), one of India’s most commonly used slang words. roughly translates to “it’s fine” or “it will work.”
चलेगा
My headphones weren’t enough to block out the piercing sounds of ongoing traffic as I sat in the backseat of a taxi. Pausing the song for a second to discern the situation, I notice that every single car in the long line ahead of me is honking incessantly at the person in front of them despite the signal being red. I wonder how people thought causing constant noise pollution would affect the color of a signal. Over the sound of the blaring horns, I kindly request the man driving the taxi to stop honking since it would serve no practical purpose.“चलेगा,” he says. He justifies his action by saying everyone else was doing it.
On the bus home from school, I watched as everyone in front of me chattered avidly over the day’s events. In the midst of what looked like a compelling conversation, a fourth grader throws her Kit Kat wrapper out the window without so much as breaking eye contact with her companion. I asked her to not litter and wait till she gets home to throw her trash.
She responds with a “चलेगा.” She throws an unfriendly glare my way and doesn’t hesitate to tell me that she is confident someone else will clean it up.
As my father and I stood in the bustling vegetable market, it was easy for the shouting vendors and overwhelming smells to drown out the sight of the terrified, injured cat who sat trembling behind a discarded basket. Hundreds of people in that small space, but no one looked twice at the agonized cat. I asked nearby vendors whether anyone took care of the cat, only to receive unconvincing excuses as to why they couldn’t help.
In every single response, there was one common word - “चलेगा.” They said it happens often and the animals were used to it. A living being was in extreme pain, and they were convinced it was okay to sit back and watch.
We often take the power of words for granted. One word can change millions of lives. One word can be the reason behind an entire country’s collapse. It can push people to complete apathy and inaction, making them believe that problems would magically solve themselves. It can drive the people who attempt to use their voices to deafening silence.
For years, I have heard the same word being used in every possible situation. I have watched people perpetually use it as a shield to protect themselves from ugly conversations and to avoid inconvenient circumstances. But I have had enough.
नहीं चलेगा I
It is not okay. And it will never be okay until we stop cowering behind that word.
<blending science + storytelling.
based on observing my wonderful chloe at work.
TW: animal death, explicit imagery and language>
Sleepless
12:03PM.
Chloe taps on the cracked screen of her hand-me-down iPhone and reads aloud the time confidently and receives a frustrated exhale from her supervisor that tells me they are behind schedule. I find it unsurprising to know that they are quite literally running on numbers and timings that signify something only they understand, given that the room we find ourselves in is quite simply, the embodiment of an organised chaos. Surging piles of unfinished research drafts, used apparatus, and dense network of wires that adorn the peeling ceiling of the pulmonary biomedical research lab. Yet, they pale in comparison to the exploding workspace of one of my closest friends, whose surface is no longer visible under the makeshift pet cemetery it boasts.
“Ugh! The smell of blood literally won’t leave my hands,” exclaims Chloe. “Or maybe I’m just imagining it at this point.” My insides may be turning upon noticing the... well, insides, of the dead mouse that is mere feet away from me, but this is just an ordinary day for Chloe. In a few swift, purposeful movements, she wraps the now blood-stained paper towel around the body, adding it to the Ziploc collection beside her that houses at least seven other bodies. Donning a new pair of gloves, she is ready for her next task.
Under the mechanical buzz of machines whose names I couldn’t pretend to know, I hear her mutter the faintest of curses under her breath as she grasps onto the nearest tweezer. Knitted brows and almost entirely steady hands, she seamlessly snips the aorta of subject 4 in half and gingerly places a slice of its lung into a test tube. Aware of my unsteady gaze on the mouse, she looks away from her work to glance at me fleetingly before looking back down. “They don’t feel anything, I promise. They’re totally sedated - bitches are like me at 8AM.”
12:16PM.
Chloe begins to repeat procedure from the start, breaking me out of my initial shock and allowing me to gradually understand the purpose of the experiment which was rather disheartening to witness. She leads me over to the backroom, which looks something larger than a storage closet and comprises neatly lined shelves of chemical beakers. In the very centre lies the rectangular cage covered with grain, where the wide-eyed mice seem to know what’s coming. Unhesitatingly pulling open the upper shaft of the cage, Chloe places one hand on the base of a weary mouse’s tail and begins to lift it, only for her to drop it immediately.
“Fuck!” She exclaims. “I just got bitten yesterday, I am not doing that shit again.” Having narrowly avoided the mouse’s defensive nip, she exhales deeply and makes a successful second attempt, deftly carrying the mouse upside down and onto her workspace. Her boss Laura holds down the clambering creature while Chloe rapidly injects its side with a blend of ketamine and xylazine, a drug combination that renders them alive but entirely unconscious and lacking sensation. She explains that two days prior, they inserted a syringe full of COVID-19 spike proteins - the proteins in the outer layer of the virus which cause lung injury without it spreading like a virus - into the trachea of these mice. Some mice were injected with the COVID proteins while others weren’t, and were given two days for the effects to take place on a cellular level. After this, variables like their lung compliance would be measured to understand how COVID impacted their pulmonary functioning. “You’re so lucky!” Chloe’s loud voice is bursting with its usual energy and radiance, dripping with its occasional moments of heavy sarcasm. “That means you’re here for sacrifice day!”
12:23PM.
Pinching the bottom foot of the nearly sedated mouse, Chloe lets out a frustrated groan at its reflexive twitch, because this tells her she cannot yet begin procedure. While her and her boss sit facing each other on opposite ends of the central lengthy table, Chloe urges a hesitant Laura to take a vacation.
“There’s no point going on vacation. I really want to see Japan but I can’t get out of work... maybe if I can get rid of that shift no one wants to take from me.”
Chloe, always unapologetically herself, looks up at her boss with disbelief for a moment, before returning her laser focus to the physics homework she was doing while waiting on the mouse to fall asleep.
“What the hell are you talking about? You have to go, we’ll make it work. What’s the point of all this if you can’t even catch a break?”
Laura, who moments ago was barely considering the idea, nods her head slightly and lets out a small laugh. “Speaking of,” she says, as if breaks were something commonly forgotten here, “I’m going to take a quick break and grab food. Would either of you like anything?” Chloe and I politely decline. “Are you sure, Chloe? It’s been a long day for you.”
Flashing a classic Chloe smile, she claims she has to “go town on” her muffin, resulting in a chuckle from both Laura and I. When her boss leaves the room, I narrow my eyes at Chloe, asking her if she ate anything since last night.
She knows better than to lie to someone who can see right through her. “I was going to,” she says hurriedly, “Seriously. Every time we do a sac I try to remember to make overnight oats but I keep forgetting.”
I’m moments away from hounding her for her eating habits when the head of the department Omar and another student researcher Xeta walk in. Omar’s calculating eyes quickly scan the room, clearly a repeated effort of checking everything is under control. Eyes landing on me, I feel intimidated for a moment before his lips morph into a kind smile and introductions are made.
He asks Chloe how progress was looking. “Great! The vent broke, the mice won’t fall asleep, and the procedure has been unsuccessful like 45 times.” Smiling at her typical sarcasm, Xeta jumps in. “I bet she’s exaggerating. As always.”
Placing a hand on her chest and gasping loudly, Chloe feigns mock hurt at Xeta’s (truthful) claim. “You’re right. It was only 43 times.” As usual, even in the most morbid settings, she has the effortless ability to make every person in the room laugh.
Every minute or two, Chloe pinches the mouse’s foot to check whether it’s asleep. Still twitching, now ever so slightly, she knows she is closer to being able to continue. Her eyes scan the room in a practiced manner that mirrors Omar’s and falls on Xeta, who looks rather fatigued. She quickly asks her if everything is okay, only to realize that her friend arrived to lab straight from a blood test and was feeling “a little woozy.”
Chloe, in steps so quick but resolute, seems to almost glide through the room. In moments, she is by her friend’s side with the muffin from her bag, which Xeta is uncertain to accept. “Are you sure? What will you eat?”
“I literally just ate. I had an extra so you’d actually be helping me by taking it off my hands.”
From the corner of her eyes, she gives me the briefest of glances. Her tone is so convincing that even I might have believed her.
12:29PM.
Even at 5”1, Chloe stands taller than most.
Grabbing a chair to reach a box of test tubes atop a shelf, she returns to her work table and adjusts the transparent glasses that sit on her face. She closes another button on her paper white lab coat that makes her caramel skin stand out to prevent her favorite purple tank top from being stained. Although she wears black parachute pants today, she usually prefers to wear sweatpants given that she volunteers 40 hours of her week to the lab. Or she did, at least, until a coworker told her informed her that she “shouldn’t dress that way” as a woman in the workplace, informing her that no one would take her seriously. Placing her braids, which I know she makes to prevent her curly hair from “blowing up,” out of harm’s way, she is nearly ready to begin procedure.
While Omar left the room, Chloe and Xeta sit next to each other, with Laura sitting across them. Laura reminds them to extract the right lobe of their lungs along with their livers so they can later test lung functioning. Every few minutes, she looks up from her own work to check if her students are on the right track, providing helpful tips as they extract tissues from the mice, but appearing consistently confident in her student’s abilities. While they listen attentively to her instructions, Chloe subconsciously caresses the mouse cupped in her hands.
Laura seems to be handling a million tasks at once, from running tests in the backroom centrifuge to observing specimens under her electron microscope. From Chloe’s right, Xeta looks to her with an eyebrow raised. “Do you remember if I already injected this mouse?”
Chloe holds her unconscious mouse in both of her hands, gently positioning it with its back on the table and stomach facing upward. While diligently injecting it with Heparin, which she later tells me is to ensure the blood can be extracted smoothly without it clotting, she confidently tells Xeta that she did.
If I wasn’t right next to Chloe, I wouldn’t have heard her soft, comforting murmurs. “Hey buddy,” she whispers gently, “I’m so sorry but it’s time to say bye bye.”
With her trusty precision microscissors, she first pulls the flesh out of the mouse’s body, putting aside tufts of its fur. Her bright table lamp spotlights the entirety of its insides, showcasing its fleshy bead-sized organs. She draws blood from its lifeless corpse, placing it in a test tube that she adds to an ice bucket to ensure it is met with ideal physiochemical conditions, which will later help in detecting diseased tissues.
Every now and then, one of the three women will ask for a syringe, suture, or needle to be passed, and the said object will find its way to them without a flicker of doubt, their hands moving subconsciously without their eyes even straying from the task at hand. The three of them are in perfect control of their surroundings, with unwavering focus and complementing each other seamlessly.
While carefully removing the mouse’s pulmonary lobe and placing it in a test tube, Chloe simultaneously tells Xeta and I about a recent disastrous first date, on which “a micropenis man” promised to take her to an “underground coffee shop,” which happened to be none other than Peets Coffee.
Amidst our bubbling laughter, Chloe’s focus never strays. “He’s dead to me now,” she says animatedly as she extracts the heart from the mouse’s body.
12:41PM.
Removing the test tubes from the ice incubator, she utilizes a dropper to pinch a few droplets of blood onto a small glass disk. She pushes the plate directly under her heavy-duty electron microscope, and begins studying them with unparalleled focus.
Because these aren’t just any mice. Chloe’s lab isn’t just modelling the effects of COVID on lung capacity, but is more focused on testing the effects of COVID on the lungs of those suffering with sleep apnea and intermittent hypoxia. Thus far, their findings strongly suggest that mortality rates are significantly higher for those with sleep apnea.
Chloe isn’t just any scientist. She was diagnosed with sleep apnea and narcolepsy at a mere three years of age. Frequent hospital visits have become the norm for her, but this is precisely what fuels her to do exactly what she does. She is determined to find solutions to improve lifestyles of patients suffering with sleep apnea.
She dedicatedly notes the number of dead red blood cells and pulmonary cells to measure lung injury. She tells me that most of the pulmonary cells in the mouse with sleep apnea and COVID were dead in contrast to the one with only COVID which had far more surviving cells, which supports their award-winning finding that mortality and risk factor for the former patients is far higher.
Amidst the grotesque sights that come with the three of them having to conduct these daily experiments, Chloe ceaselessly makes others smile. “My roommate literally forced me out of bed on Halloween. I only had one purple dress so I guess I was a grape.”
While the room breaks out in laughter again, I wonder if her coworkers know the reason Chloe only has one dress. I wonder if they see that behind that unfleeting smile is the daughter of low-income Persian immigrants trying to uphold her family. The girl that can make every person in a room light up with laughter while she holds back her own pain.
12:50PM.
Chloe takes her “break” at the end of her shift, which she spends diligently labelling test tubes, safely disposing sharps, and sanitizing her workspace. Chloe may be the loudest in the room, but as she restocks equipment and rapidly amends the surging messes in the lab space, I realize that she is the modest, consistent silent force making sure everything around her runs like clockwork. She does what she has to without having to be asked, because that is who she is. Whether its for her research coworkers, for anyone who has the privilege of meeting her, or for the people she’s paving the way for, Chloe always leaves a better space for those who come behind her.
We greet her team goodbye and walk out of the building together.
<TW: substance abuse>
TO BE FILLED BY A LICENSED MEDICAL CARE PROVIDER ONLY.
Patient Information:
Full Name:
DOB: M/F/Other
Gender:
Address:
Phone Number:
Zipcode:
Patient refuses to disclose any identifying details. Unclear whether this is to a lack of
personal awareness at present or a desire to remain anonymous. Patient continuously seems to look
blank as Dr. Ramirez attempts to ask basic information. She is likely female and seems to be of the
South Asian subcontinent. Upon being asked about insurance, patient looks at Dr. straight in the
eye and shakes their head. Maintenance of eye contact may suggest potential violent tendencies.
II. Why are you here today?
“I keep asking myself that. Everyday I think. Why I’m here, I mean. Do you know? Why I’m here, I
mean. Never mind. I don’t want to be.”
Patient displays nervous tics including involuntary spasms, muscular contractions, and verbal
incomprehensibility. They are reminded of the overdose only upon prompting but reveal no details of
the incident, instead choosing to continually repeat the phrase “I don’t want to be.”
III. What symptoms are you currently experiencing?
“It really hurts. It hurts everywhere and I need it to go away right now. Can you make it go away.
I’ll do anything.”
Patient is asked to pinpoint areas of pain but continue to state “everywhere” in an anxious frenzy.
Patient denies being able to expel the substances from their body via emesis. Upon being asked
about experiencing hallucinations, patient claims, “I hear them all, everywhere. They never
stop screaming. SHUT. UP. please.” Patient 237 was asked the quantity on which they overdosed,
to which they simply said “not enough” before withdrawing into a state of temporary shock. Dr.
Ramirez attempts to ask pertinent questions but patient constantly repeats “It’s so cold in here. I
wanted warmer.” Patient is checked for fever and has a 104.7°F. Practitioners will continue to
monitor vital signs and accordingly prescribe medication.
IV. Were your actions accidental or intentional?
"It would be kind of stupid if someone accidentally downed a whole bottle of that shit, don’t you
think?”
*Follow up - Dr. Ramirez states “Are you trying to say that you intentionally overdosed on an
entire bottle of antidepressants? If yes, I’d like to tell you that we’re going to have to go down a
path.” Patient immediately shows signs of evident nervousness, stating “I knew, but I didn’t know. I
swear. Where are you going to send me? I want to leave.” Dr. Ramirez urges the patient to stop
displaying instability, to which they exhibiting uncontrollable spasms of anger, attempted violence,
and anxiety. Dr. is eventually able to make them calm through rapid injection of benzodiazepines.
V. Do you have somewhere to go?
“I was trying to. I was trying to and you stopped me.”
Patient returns to their previous blank state while saying the aforementioned. Dr. Ramirez asks
whether Patient 237 has a home to go to, someone to go with, or some place safe to go. Patient
bursts into a fit of continuous manic laughter, refusing to say anything except “I was trying to.”
*Follow up - Dr. Ramirez informs patient that they must stay in the ER for observation until they
receive a psychiatrist consultation. 237 continues to laugh.
------------------------------------------------------------------------------------------------------------------------
Patient Conclusions:
Patient Symptoms: While 237 refuses to provide practitioners with much relevant information, there
is evident mydriasis and enlargement of pupils, tachycardia and accelerated heart rate, rapid pulse,
verbal incomprehensibility, inability to maintain a stable conversation, hallucinations, consistent
spasmic contractions, fever.
Suggested Issue: Overdose, likely north of 400mg, of a Selective Serotonin Reuptake Inhibitor
(SSRI). Bloodwork shows clear indication of an overdose, owing to abnormal results.
Procedure Taken: Blood is drawn to understand how the patient’s blood chemistry is affected. Tests
Conducted - Acetaminophen, Blood - See Instructions CBC w/ Diff Lavender CMP, MDIFF,
Salicylates, Serum - See Instructions Urinalysis with Culture Reflex, when indicated. Injection of
benzodiazepines to calm patient down upon display of mild psychotic features.
Diagnosis: Current severe episode of major depressive disorder with mild psychotic features
without prior episode.
Further Steps: Refer notes to psychiatrist, who will decide further course of action if necessary.
Patient Status:
Alive
Dead
Amount owed (to be filled by check-in desk): $1757
------------------------------------------------------------------------------------------------------------------------
Provider Details:
Nurse Initials: PF
Doctor Initials: RR
Date: 11/15/2023
Patient Number: #237
------------------------------------------------------------------------------------------------------------------------
Intake Notes - Patient 237, 11/15/2023